TEACHING RESOURCES
LEVEL 3
Melodic Cells
1
Melodic cell 1 should be sung with the syllables "La-Ti-Do" and it outlines a potential resolution from the predominant area to the tonic area.
2
Melodic cell 2 should be sung with the syllables "Do-Ti–La."
3
Melodic cell 3 should be sung with the syllables "Do-La-Do" and is often featured in the expansion of the tonic area.
4
Melodic cell 4 should be sung with the syllables "Sol-La-Sol."
5
Melodic cell 5 should be sung with the syllables "Fa–La–Do" and outlines a root-position IV chord.
6
Melodic cell 6 should be sung with the syllables "Re–Fa–La" and outlines a root-position ii chord.
Harmonic Cells
1
Harmonic cell 1 demonstrates a pre-dominant preparation to the V chord using the ii chord. Notice melodic cell 1 in the soprano voice!
2
Harmonic cell 2 demonstrates a pre-dominant preparation to the V7 chord using the ii chord. Notice melodic cell 1 in the soprano voice!
3
Harmonic cell 3 demonstrates a predominant preparation to the V chord using the ii6 chord. Notice melodic cell 1 in the soprano voice!
4
Harmonic cell 4 demonstrates a pre-dominant preparation to the V7 chord using the ii6 chord. Notice melodic cell 1 in the soprano voice!
5
Harmonic cell 5 demonstrates a pre-dominant preparation to the V chord using the IV chord. Notice melodic cell 1 in the soprano voice!
6
Harmonic cell 6 demonstrates a pre-dominant preparation to the V7 chord using the IV chord. Notice melodic cell 1 in the soprano voice!
7
Harmonic cell 7 demonstrates a pre-dominant preparation to the V chord using the IV6 chord. Notice melodic cell 1 in the soprano voice!
8
Harmonic cell 8 demonstrates a pre-dominant preparation to the V7 chord using the IV6 chord. Notice melodic cell 1 in the soprano voice!
