TEACHING RESOURCES
LEVEL B
Melodic Cells
1
Melodic cell 1 should be sung with the syllables "Le-La-Sol."
2
Melodic cell 2 should be sung with the syllables "Fa-La-Sol."
3
Melodic cell 3 should be sung with the syllables "le-Fi-Sol."
Harmonic Cells
1
Harmonic cell 1 demonstrates a tonicization of the dominant key.
2
Like harmonic cell 1, harmonic cell 2 demonstrates a tonicization of the dominant key but does so with a V7.
3
Like harmonic cells 1 and 2, harmonic cell 3 demonstrates a tonicization of the dominant key but does so with a V65.
4
Harmonic cell 4 tonicizes the dominant key and, because it uses a V42, must resolve to a first-inversion triad.
5
Harmonic cell 5 demonstrates preceding the dominant tonicization using the iiº6 chord.
6
Harmonic cell 6 demonstrates preceding the dominant tonicization using the iv chord.
7
Harmonic cell 7 demonstrates preceding the dominant with a secondary viiº7 chord. Notice the ascending chromatic pitches in the bass voice and melodic cell 1 in the soprano voice.
8
Harmonic cell 8 demonstrates preceding the dominant with a secondary viiº65 chord.
9
Harmonic cell 9 demonstrates preceding the dominant with a secondary viiº43 chord. Take note that this specific progression must resolve to a V6 chord.
10
Harmonic cell 10 demonstrates preceding the dominant with a secondary viiº7 chord. Notice the ascending chromatic pitches in the bass voice
11
Harmonic cell 11 demonstrates preceding the dominant with a secondary viiº65 chord.
12
Harmonic cell 12 demonstrates preceding the dominant with a secondary viiº43 chord. Take note that this specific progression must resolve to a V6 chord.
